
James Ostrer b. 1979
CURRENTSEE 6, 2017
Archival pigment print on aluminium mount in handmade rustic wooden frame
76.7 x 55 cm
Frame:
94 x 71.5 x 4 cm
Frame:
94 x 71.5 x 4 cm
1/3 + 2APs
“I see the Currentsee artworks as futurology portraits depicting why more than ever it's evident that there needs to be a wider influence of the feminine over the more dominant...
“I see the Currentsee artworks as futurology portraits depicting why more than ever it's evident that there needs to be a wider influence of the feminine over the more dominant and negative masculine character traits within humanity at large.”
In this image the artists brings elements of waste, excess, fashion and constrain together - illustrated by the mountain of found flip flops that forms the background of the image.
The constrained victim/predator with its eyes looking forward poses in front of a mattress adorned with multiple cow tongues and a Rictheriest painting, both symbols of the contemporary mass production and food chain hierarchy.
In this image the artists brings elements of waste, excess, fashion and constrain together - illustrated by the mountain of found flip flops that forms the background of the image.
The constrained victim/predator with its eyes looking forward poses in front of a mattress adorned with multiple cow tongues and a Rictheriest painting, both symbols of the contemporary mass production and food chain hierarchy.