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time | memory | landscape: Saad Qureshi

Past exhibition
3 March - 16 April 2017 London
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Overview
time | memory | landscape, Saad Qureshi

 

Gazelli Art House is delighted to announce time | memory | landscape, the third solo show of British artist Saad Qureshi to coincide with Places for Nova, his public commission for Land Securities in  Victoria, opening spring 2017.

Known primarily for his ambitious sculptural works, drawing has always been a central part of Qureshi’s practice, and the exhibition at the gallery will feature the first international presentation of his new landscape drawings and works on paper.

 

A series of monumental drawings on wood explore Qureshi’s enduring fascination with memory and its reinterpretation of landscapes, transforming them into third places, hybrids of recollection and fantasy. This process of iteration through memory touches on the ineffability of lived experience: reminding us at once of its instability and its genius for invention.

 

The ‘mindscapes’ evoked in Qureshi’s drawings are sourced from fragments of real places, snatched images of somewhere that is or has been. They invite their viewers to inhabit and absorb them into their mind’s eye, and in doing so to inform and transform them yet again.

 

The works exploit the experiential qualities of wood and the powdery luminescence of brick dust, taking a building material and grinding it into a pigment.

 

Qureshi is excited by the conceptual unities implied by the process, “I like the idea that a byproduct of brick, the basic unit of so much of our built environments, can become the base for a drawing: that this real-world material can be used to evoke other worlds which exist only in the mind.”

 

A second series of drawings explores the impressions of landscapes burnt into the memory, echoing the retinal imprint that registers the instant you shut your eyelids, fixing this photographic residue into a scorched outline on paper. Unlike the works on wood, the “scorched line” drawings are of places entirely imagined by the artist. Evocations rather than depictions, they are meditations on the cadences of landscape, and how their rhythms unfold in the mind.

 

Places for Nova, Qureshi’s first major public commission, is a site-specific installation which looks at the portability of landscapes, and the human mind as a vehicle that allows places to be carried in the memory from one location to another. As part of its development period, Qureshi invited people who live, work and travel through Victoria to donate a memory of a significant landscape that they no longer have access to. These reimagined places have been brought together to create a series of universal “mindscapes.” They are housed in six custom-designed corten steel vitrines that function as panoramic portals to alternative, hybrid worlds. The work, commissioned by Land Securities for Nova, Victoria, its ambitious new development housing world-class office space, high-quality apartments, a cluster of innovative new restaurants and a significant public realm , will be launched to the public in February 2017.

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Publications
  • time | memory | landscape

    time | memory | landscape

    Saad Qureshi SAAD QURESHI, 2017 Read more
News
  • Wounds That Bind | Saad Qureshi

    Wounds That Bind | Saad Qureshi

    April 6, 2018
    The latest show of works at Gazelli Art House London, time | memory | landscape by Saad Qureshi, features in art publication Wounds That Bind.
    Read more
  • SAAD QURESHI | PAUL’S ART WORLD | MARCH 2017

    SAAD QURESHI | PAUL’S ART WORLD | MARCH 2017

    March 6, 2017
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  • SAAD QURESHI | BLOUIN ART INFO | MARCH 2017

    SAAD QURESHI | BLOUIN ART INFO | MARCH 2017

    March 6, 2017
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  • SAAD QURESHI | COLORISING | FEBRUARY 2017

    SAAD QURESHI | COLORISING | FEBRUARY 2017

    February 27, 2017
    Click here to read full article
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Gazelli Art House represents an international roster of artists and estates, from leading figures in Post-War movements such as Pop Art and Abstract Expressionism to ultra-contemporary voices redefining art in the digital age. 

 

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