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Subject to Change
Group Show, London, 3 October - 19 December 2025
  • Current and Forthcoming
  • Past

Subject to Change: Group Show

Past exhibition
Open a larger version of the following image in a popup: Memo Akten, All Watched Over By Machines Of Loving Grace, 2021
Open a larger version of the following image in a popup: Memo Akten, All Watched Over By Machines Of Loving Grace, 2021
Open a larger version of the following image in a popup: Memo Akten, All Watched Over By Machines Of Loving Grace, 2021
Open a larger version of the following image in a popup: Memo Akten, All Watched Over By Machines Of Loving Grace, 2021

Memo Akten

All Watched Over By Machines Of Loving Grace, 2021
4K video, stereo audio
Custom software using Artificial Intelligence, Deep Learning, Generative Adversarial Networks, Transformers, CLIP, VQGAN
3840 × 2160
30fps
1 minute, 58 seconds, seamless loop
Ed. 1/3 + 1 AP
Copyright The Artist
Inquire
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Further images

  • (View a larger image of thumbnail 1 ) Auriea Harvey, Slave Ship Diagram #3, 2022
  • (View a larger image of thumbnail 2 ) Auriea Harvey, Slave Ship Diagram #3, 2022
  • (View a larger image of thumbnail 3 ) Auriea Harvey, Slave Ship Diagram #3, 2022
  • (View a larger image of thumbnail 4 ) Auriea Harvey, Slave Ship Diagram #3, 2022
  • (View a larger image of thumbnail 5 ) Auriea Harvey, Slave Ship Diagram #3, 2022
Memo Akten’s All Watched Over By Machines of Loving Grace (2021) takes its title from Richard Brautigan’s 1967 poem, reimagining its vision for the age of AI. Created using custom...
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Memo Akten’s All Watched Over By Machines of Loving Grace (2021) takes its title from Richard Brautigan’s 1967 poem, reimagining its vision for the age of AI. Created using custom software and advanced machine learning, and before consumer text-to-image image tools had been released, the short film reflects on our obsession and deification of technology. For Akten, the boundaries between “nature” and “artificial” are illusory; attempts to control one are attempts to control ourselves. Rejecting both blind submission and wholesale rejection, the work calls for a holistic entanglement of humanity, technology, and the natural world, continuing Akten’s research into meaningful human control over generative systems.
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Exhibitions

Subject to Change, Gazelli Art House, London, UK (2025)
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