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Subject to Change
Group Show, London, 3 October - 19 December 2025
  • Current and Forthcoming
  • Past

Subject to Change: Group Show

Past exhibition
Open a larger version of the following image in a popup: Primavera De Filippi, Plantoid14, 2023
Open a larger version of the following image in a popup: Primavera De Filippi, Plantoid14, 2023
Open a larger version of the following image in a popup: Primavera De Filippi, Plantoid14, 2023

Primavera De Filippi

Plantoid14, 2023
Scrap metal with electronics, as part of 'Plantoid' project on Blockchain
58 x 26 x 26 cm
22 7/8 x 10 1/4 x 10 1/4 in
Copyright The Artist
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%3Cdiv%20class%3D%22artist%22%3EPrimavera%20De%20Filippi%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EPlantoid14%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2023%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScrap%20metal%20with%20electronics%2C%20as%20part%20of%20%27Plantoid%27%20project%20on%20Blockchain%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E58%20x%2026%20x%2026%20cm%3Cbr/%3E%0A22%207/8%20x%2010%201/4%20x%2010%201/4%20in%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Auriea Harvey, Slave Ship Diagram #3, 2022
  • (View a larger image of thumbnail 2 ) Auriea Harvey, Slave Ship Diagram #3, 2022
  • (View a larger image of thumbnail 3 ) Auriea Harvey, Slave Ship Diagram #3, 2022
Primavera De Filippi’s contribution builds on her decade-long exploration of blockchain-based lifeforms. Her pioneering Plantoid project (2015–ongoing) takes the form of plant-like sculptures animated by smart contracts on the Ethereum...
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Primavera De Filippi’s contribution builds on her decade-long exploration of blockchain-based lifeforms. Her pioneering Plantoid project (2015–ongoing) takes the form of plant-like sculptures animated by smart contracts on the Ethereum blockchain, capable of accumulating cryptocurrency, commissioning artists, and generating new iterations of themselves. Alongside this, the project Arborithms (2024–ongoing) envisions forests of generative digital trees encoded with their own “DNA,” which evolve and reproduce through human interaction. Taken together, De Filippi’s practice opens up questions of authorship, agency, and governance, demonstrating how blockchain can operate not only as a tool for certification but also as a medium for creating living, evolving digital ecologies.


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Exhibitions

Subject to Change, Gazelli Art House, London, UK (2025)
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