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A State Of Acceptance
Kalliopi Lemos and Nancy Atakan, Baku, 19 November 2023 - 24 February 2024
  • Current and Forthcoming
  • Past

A State Of Acceptance: Kalliopi Lemos and Nancy Atakan

Past exhibition
  • Overview
  • Press release
  • Installation Views
  • Works
  • Virtual Exhibition
Overview
A State Of Acceptance, Kalliopi Lemos and Nancy Atakan
As women and artists, we wanted to give a voice to the unexplored experiences and feelings of women, shared with love, poetry and beauty to create a rich, multidimensional exhibition.
– Kalliopi Lemos
A State of Acceptance, is a joint exhibition by Kalliopi Lemos and Nancy Atakan, curated by Billur Tansel. Bringing together individual and collaborative works, the exhibition explores memory, womanhood, and the passage of time through textile, film, installation, and digital media. Drawing on personal histories and philosophical ideas of acceptance, the artists examine resilience, inherited values, and the shifting realities of contemporary life.
  • Read the full press release
  • Explore Kalliopi Lemos' NFTs
Press release

Gazelli Art House, Baku, is delighted to announce A State Of Acceptance, a joint exhibition of works from Kalliopi Lemos and Nancy Atakan, curated by Billur Tansel.

 

Surveying both artists’ individual creative journeys, alongside collaborative works, A State Of Acceptance will excitingly debut never before seen artworks. Lemos’ bold and striking animated video Wasps and Jewels (2023) features the artist’s first ever NFT. While Atakan’s Searching for The Scent of Time (2023) delivers an immersive projection and sound installation.

 

In textile works such as We Are All Sisters (2021) and Don’t Step on Me! (2021), Atakan explores the role of women in society, and the recognition of female voices within the patriarchy. In I Am Home (2019), Lemos combines fabric, steel, and photography with an antique Bessarabian rug (a precious family heirloom passed on for generations) to illustrate women as carriers of family history. Wasps are a recurring motif in Lemos’ artwork, seemingly symbolic of the simultaneous beauty and “stinging offences to women” in Atakan’s Her Yerde (Everywhere) (2020). For both artists, nature gives solace and solutions: while championing sustainable practices in their reinvention of materials, both artists reference the transience and permanence of life-cycles – seen in Lemos’ Fleeting and Timeless (2023) and Atakan’s Cliché 2 (2020). 

 

One of the centrepieces of the exhibition, a film of a performance the artists have realised together entitled Necklace of Time (2020), stresses the superficiality of the materialistic adornment that might be desired in youth and underlines that, as one matures, inherited values, principles, ethics and memories gain more importance. Sharing in their acquired and inherited wisdom by referencing individual experiences, Atakan and Lemos grapple with the concerns and actualities of life. Balancing moments of treasured memories with an unnerving awareness of the rapidly changing world, this dual insight finds loci in 13th Century poem, The Guest House. 

 

Written by Persian Poet Rumi, The Guest House stands as an analogy for human beings, where we become spaces for ephemeral states to occupy. According to the poem, every day we receive unexpected visitors – joy, depression, meanness – and with each, an awareness. The poem implores us to be grateful for whatever comes because it has been sent for a reason/ as a guide from beyond. Acceptance encompasses undergoing hardships, rebellion and change through life and meeting adversities with courage, respect and warmth, taking a moment to listen, to breath, to re-evaluate. As one gets older the understanding that accepting things as they are softens worries and appeases concerns in our minds. A new space may open for new ideas and new ways. With a state of acceptance, human suffering diminishes or ceases. 

 

The case of recognising human experience has long been debated, from Ancient Eastern and Western philosophy – Aurelius and Epictetus – to modern thinkers such as Kierkegaard. Psychologists suggest an amelioration for the human condition and suffering; existential theorists such as Carl Rogers are credited with elaborating acceptance as a mechanism of self-actualization. In this exhibition, the notion and value of accepting oneself and others has been given great importance.

 

Realising memories to be valuable when facing the challenges in their chaotic present, Atakan and Lemos strive for a state of acceptance. In sharing recollections from their personal lives, moments sacred and dear, the artists hope to encourage dialogue and interaction with younger generations.

The two artists are gifted story-tellers who combine words, images, and diverse materials to create an otherworldly and yet bonding experience. Some artworks have a story to tell, a piece of family history that brings together different generations’ lives, loves, and experiences in tales of wisdom, while others point out the thorns and stings plaguing present reality. These might appear as challenges at first, but if we receive them with wisdom, that might be our chance to reach a sense of truth and peace within.

Installation Views
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Works
  • Kalliopi Lemos & Nancy Atakan Necklace of Time, 2020
    Kalliopi Lemos & Nancy Atakan
    Necklace of Time, 2020
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    %3Cdiv%20class%3D%22artist%22%3EKalliopi%20Lemos%20%26%20Nancy%20Atakan%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ENecklace%20of%20Time%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2020%3C/span%3E%3C/div%3E
  • Nancy Atakan Challenging Cliché 3, 2020
    Nancy Atakan
    Challenging Cliché 3, 2020
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    %3Cdiv%20class%3D%22artist%22%3ENancy%20Atakan%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EChallenging%20Clich%C3%A9%203%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2020%3C/span%3E%3C/div%3E
  • Nancy Atakan Don’t Step on Me!, 2021
    Nancy Atakan
    Don’t Step on Me!, 2021
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    %3Cdiv%20class%3D%22artist%22%3ENancy%20Atakan%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EDon%E2%80%99t%20Step%20on%20Me%21%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2021%3C/span%3E%3C/div%3E
  • Nancy Atakan We are all sisters, 2021
    Nancy Atakan
    We are all sisters, 2021
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  • Kalliopi Lemos All Living is Precarious Living, 2023
    Kalliopi Lemos
    All Living is Precarious Living, 2023
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  • Kalliopi Lemos All Living is Precarious Living, 2023
    Kalliopi Lemos
    All Living is Precarious Living, 2023
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  • Kalliopi Lemos Enough is Enough, 2023
    Kalliopi Lemos
    Enough is Enough, 2023
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  • Kalliopi Lemos I am Home, 2019
    Kalliopi Lemos
    I am Home, 2019
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  • Kalliopi Lemos Just Enough, 2023
    Kalliopi Lemos
    Just Enough, 2023
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  • Kalliopi Lemos Sufi Ritual Garment, 2020-2022
    Kalliopi Lemos
    Sufi Ritual Garment, 2020-2022
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  • Kalliopi Lemos The Feminine and Nature, 2023
    Kalliopi Lemos
    The Feminine and Nature, 2023
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  • Kalliopi Lemos The Feminine and Nature, 2023
    Kalliopi Lemos
    The Feminine and Nature, 2023
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Virtual Exhibition

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  • Kalliopi Lemos

    Kalliopi Lemos

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