Harold Cohen
Untitled (i23-3748), 1987
Ink on paper
57 x 77 cm
22 1/2 x 30 1/4 in
22 1/2 x 30 1/4 in
Further images
Created in 1985, Untitled (i23-3748) is a key work from Harold Cohen’s pivotal Drawing Machine' period, belonging to the Jungle Drawings series, a subset of the broader Eden series. By...
Created in 1985, Untitled (i23-3748) is a key work from Harold Cohen’s pivotal Drawing Machine' period, belonging to the Jungle Drawings series, a subset of the broader Eden series. By the late 1980s, AARON had entered its fourth developmental phase, in which human figures were constructed through a three-dimensional knowledge-base embedded within the programme.
This body of work marked a significant evolution in Cohen’s practice, generating increasingly complex compositions that combined human figures with the dense foliage motifs that had appeared in his work since the early 80s. Using AARON, Cohen generated forms algorithmically within a sophisticated spatial system, resulting in dramatically posed figures emerging from intricate jungle-like environments. The plant forms were produced through coded morphological rules governing branching structures, leaf clustering, and scale relationships. The energy and rhythmic complexity of the composition demonstrate Cohen’s sustained investigation into how computational systems could both emulate and extend artistic expression.
Works from this series are held in major institutional collections, including the Victoria and Albert Museum, London and the Thoma Foundation, Dallas, TX.
This body of work marked a significant evolution in Cohen’s practice, generating increasingly complex compositions that combined human figures with the dense foliage motifs that had appeared in his work since the early 80s. Using AARON, Cohen generated forms algorithmically within a sophisticated spatial system, resulting in dramatically posed figures emerging from intricate jungle-like environments. The plant forms were produced through coded morphological rules governing branching structures, leaf clustering, and scale relationships. The energy and rhythmic complexity of the composition demonstrate Cohen’s sustained investigation into how computational systems could both emulate and extend artistic expression.
Works from this series are held in major institutional collections, including the Victoria and Albert Museum, London and the Thoma Foundation, Dallas, TX.
