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Jane McAdam Freud

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Jane McAdam Freud, 1+1 (One Plus One), 2006
Jane McAdam Freud, 1+1 (One Plus One), 2006

Jane McAdam Freud

1+1 (One Plus One), 2006
Clay
30 x 130 x 90 cm
11 3/4 x 51 1/8 x 35 3/8 in
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Further images

  • (View a larger image of thumbnail 1 ) Jane McAdam Freud, 1+1 (One Plus One), 2006
  • (View a larger image of thumbnail 2 ) Jane McAdam Freud, 1+1 (One Plus One), 2006
Jane’s work frequently finds inspiration from the rich source of her own family background, referencing both the remarkable collection of antiquities and sculptural objects collected by her grandfather and the...
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Jane’s work frequently finds inspiration from the rich source of her own family background, referencing both the remarkable collection of antiquities and sculptural objects collected by her grandfather and the cultural legacy of Freudian psychoanalysis which has had such a profound and lasting effect on contemporary psyche.

‘Jane McAdam Freud Relative Relations’

P. 39 Q: The figure of the masturbating man is a striking opening to the exhibition. Freud wrote about cases in which masturbation was taboo. Does your treatment of the subject differ?


JMF: Well nothing much has changed. Perhaps the small change is that now sex is ranking behind death as our main taboo. I have certainly used the ‘taboo’ aspect of the subject to emphasise that we will be entering yet another taboo area - that is ‘therapy’ indeed the symbolic house of therapy. The hope is that, duly knocked off balance the viewer is woken up to experiencing the works. The piece is called ‘One Plus One’ as in self and other or self and self. Indeed one plus one also refers to different sides of the self that are the reasoning, intelligent self and the instinctual, unconscious self.


Q: Would you say masturbation is a kind of ultimate relationship between a man and his penis?

JMF: Interesting question but another man could better answer that? These relationships are always relative and this piece is definitely open to interpretation. I was thinking more about masturbation as a metaphor for therapy, as in ‘spilling one’s guts’. Last time you saw the piece - an over life size hollow figure in clay it was seated. Strangely though, it has since collapsed, one could say climaxed and is now in a post coital prostate pose.


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Exhibitions

Jane McAdam Freud: An Absent Presence, A Retrospective in Dialogue with Louise Bourgeois and Holly Stevenson, Gazelli Art House, London, UK (2025)
Jane McAdam Freud, Wooyang Museum of Contemporary Art, Gyeongsangbuk-do, South Korea (2016)
Down to Earth, Gazelli Art House, London, UK (2011)

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Gazelli Art House represents an international roster of artists and estates, from leading figures in Post-War movements such as Pop Art and Abstract Expressionism to ultra-contemporary voices redefining art in the digital age. 

 

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Saturday   11:00 – 19:00

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