The ‘mindscapes’ evoked in Qureshi’s drawings are sourced from fragments of real places, snatched images of somewhere that is or has been. They invite their viewers to inhabit and absorb them into their mind’s eye, and in doing so to inform and transform them yet again.
They explore the impressions of landscapes burnt into the memory, echoing the retinal imprint that registers the instant you shut your eyelids, fixing this photographic residue into a scorched outline on paper. Unlike the works on wood, the “scorched line” drawings are of places entirely imagined by the artist. Evocations rather than depictions, they are meditations on the cadences of landscape, and how their rhythms unfold in the mind.