Franz Ackermann’s imagined and whimsical landscapes disorient yet engulf the viewer in a world full of colour and abstraction. Exhibiting one of his recent work, Calcutta Junction (2016), Ackermann's sublime work has been widely recognised as critical political commentary on the contemporary issues of tourism and globalisation. A labyrinth of biotic generalisations, what seems to be unstructured, compositions work in paradoxical harmony to provide a common ground. The fantasy world is subsequently unravelled, inviting and all-inclusive.