Ramina Saadatkhan’s painted collage Uomo Natura (2025) offers a vision of inseparability between nature and human experience. Drawing on Nietzschean ideas of the “creature and creator” within, here she depicts animals and foliage as expressions of inner states rather than external landscapes. In this work a female figure occupies the central space, a snake curves atop of her and her pink and black hair cascades down the canvas. An open armed sloth-like animal reaches round here whilst reptilians encircle her above and at the side. Titled Uomo Natura, this work is one of several contemplations on the theme of the inseparability of human existence and the natural order. Rather than presenting nature as an external landscape, Uomo Natura reveals it as an inner state – a rhythm, a pulse, and a memory inscribed within the human body and psyche.