Gazelli Art House
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • Fairs
  • NEWS
  • Talks
  • Gazell.io
  • Marketplace
  • About
Cart
0 items £
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu
  • Menu
  • Menu

Artworks

Ulviyya Iman, The End, 2025

Ulviyya Iman

The End, 2025
Oil on canvas
160 x 292 cm
63 x 115 in
Copyright of the artist
Enquire
%3Cdiv%20class%3D%22artist%22%3EUlviyya%20Iman%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EThe%20End%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2025%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EOil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E160%20x%20292%20cm%3Cbr/%3E%0A63%20x%20115%20in%3C/div%3E
The End is a striking, melancholic painting which recounts “Biləsən, Şair”, an infamous meykhana which took place in 2017. A meykhana is a traditional social gathering where improvised verses are...
Read more







The End is a striking, melancholic painting which recounts “Biləsən, Şair”, an
infamous meykhana which took place in 2017. A meykhana is a traditional social gathering where improvised verses are
sung and rapped, and this specific occasion was notable for being the last performance of Aydin Khirdalanli, one of the
most famous performers of the meykhana in recent years. Khirdalanli was aware that he was terminally ill at the time
of the event, and he is depicted seated in the centre of the painting, wearing white with his arms crossed and his head
bowed sorrowfully. Other performers sing to him, urging him to keep going, assuring him that life has so much to offer
and he just has to fight his illness. Sadly, despite such camaraderie, Khirdalanli died shortly after this performance.



Iman’s source imagery and inspiration for this painting was drawn from a video of “Biləsən, Şai”posted on YouTube,
where the arrangement of figures in the performance mirrored Da Vinci’s Last Supper. Motivated to capture the
monumentality of this performance, Iman worked on a large-scale canvas using a loose layering, dripping, splattering
of paint and a predominantly monochrome colour palette of deep blues. Combined, the emotional effect is sombre
but also contains elements of defiance and the celebration of a life of a performer who inspired many. This significant
painting demonstrates Iman’s ability to lay bare the interconnectedness of daily life, contemporary popular culture,
religion, and tradition.




Close full details

Provenance

The Artist

Exhibitions

Tales From The Caucasus, Gazelli Art House, London, UK (2026)
Previous
|
Next
110 
of  2019

Join our mailing list

Sign Up

GAZELLI ART HOUSE

 

 

About

Gazelli Art House represents an international roster of artists and estates, from leading figures in Post-War movements such as Pop Art and Abstract Expressionism to ultra-contemporary voices redefining art in the digital age. 

 

Read more

Contact

39 Dover Street, London, W1S 4NN

+44 207 491 8816

172 Lev Tolstoy Street, Baku

+994 (0) 12 498 1230

 

info@gazelliarthouse.com

 

Further contact details

Hours

LONDON

Monday-Friday   10:00 – 18:00

Saturday   12:00 – 18:00

Sunday by appointment

 

BAKU

Tuesday-Saturday    11:00 - 20:00

Privacy Policy
Manage cookies
Terms & Conditions
Copyright © 2026 Gazelli Art House
Site by Artlogic
This website uses cookies to offer you a better browsing experience. By using this site, you consent to our use of cookies.
Manage cookies
Reject non essential
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Sign Up