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Artworks

Morehshin Allahyari, Moon-faced, 2021

Morehshin Allahyari

Moon-faced, 2021
Video on flat screen monitor and bespoke mirrored arch frame, accompanied by ERC-721 token
Mirror frame: 166 x 102 x 35 cm
Mirror frame: 65 3/8 x 40 1/8 x 13 3/4
Video duration: 2 minutes, 5 seconds
Ed. 1/3 + 1 AP
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In Moon-faced (2021), Morehshin Allahyari reimagines Persian Qajar-era portraiture to restore the non–binary gender representations that were once a hallmark of the visual culture of the country, but were gradually...
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In Moon-faced (2021), Morehshin Allahyari reimagines Persian Qajar-era portraiture to restore the non–binary gender representations that were once a hallmark of the visual culture of the country, but were gradually erased through Westernisation, European realist painting, and the advent of photography. In ancient Persian literature, the term 'moon-faced' described beauty in both men and women; today, in Iran, it refers exclusively to women. Working with a multimodal AI model trained on archival Qajar paintings (1786–1925) and prompted with carefully researched keywords, Allahyari generates new genderless portraits that seek to repair this loss. The resulting video portraits reanimate a queer, gender-fluid tradition obscured by history, accompanied by an original score by Mani Nilchiani. 
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Subject to Change, Gazelli Art House, London, UK (2025)
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Gazelli Art House represents an international roster of artists and estates, from leading figures in Post-War movements such as Pop Art and Abstract Expressionism to ultra-contemporary voices redefining art in the digital age. 

 

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