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Artworks

Sarah Friend, Perverse Affordances, 2018

Sarah Friend

Perverse Affordances, 2018
Digital images, generative adversarial network
Copyright The Artist
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Perverse affordances hails from 2018, which from today's era feels like machine learning deep history. Starting with a bot that crawled large global social media platforms and amassed a custom...
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Perverse affordances hails from 2018, which from today's era feels like machine learning deep history.


Starting with a bot that crawled large global social media platforms and amassed a custom dataset of over 10000 screenshots, Friend then used them to train a custom machine learning model. As a final step, Perverse Affordances used the new “social media screenshots” that are generated like wireframes, to imagine new online interactions or possible web layouts.


Taking social media as a location - a place where machine learning algorithms are "watching" our online selves all the time, Perverse Affordances turns the act of "watching" around on itself. How does an algorithm sees an interface? Can we make the platform visible by looking at it with a new (machine) eye?
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GAZELLI ART HOUSE

 

 

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Gazelli Art House represents an international roster of artists and estates, from leading figures in Post-War movements such as Pop Art and Abstract Expressionism to ultra-contemporary voices redefining art in the digital age. 

 

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39 Dover Street, London, W1S 4NN

+44 207 491 8816

172 Lev Tolstoy Street, Baku

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LONDON

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Saturday   11:00 – 19:00

Sunday by appointment

 

Please refer to the about page for our opening hours during London Gallery Weekend (6 – 8 June)

 

BAKU

Tuesday-Saturday    11:00 - 20:00

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