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WHO KEEPS US COMPANY WHILE WE ARE CONFINED INDOORS AND ISOLATED? PAREIDOLIA IS THE PSYCHOLOGICAL PHENOMENON OF ASSIGNING LIVING CHARACTERISTICS TO EVERYDAY OBJECTS. ‘I SEE FACES’ IS AN ONLINE EXHIBITION OF PORTRAITS THAT ARE NOT PORTRAITS FEATURING; ANDY WARHOL, BANKSY, DEREK BOSHIER, JANE MCADAM FREUD, KEITH HARING, SHAN HUR, KAWS, KALLIOPI LEMOS AND GIOVANNI OZZOLA.
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Keith Haring
Retrospect, 1989 Screen print in colour
116.2 x 208.3 cm
45 3/4 x 82 in
Ed. of 75 -
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Jane McAdam Freud
Brush, 2016 Found objects
78 x 45 x 30 cm
30 5/8 x 17 5/8 x 11 6/8 ins -
KAWS
Lost Time/ Alone Again/ Far,Far Down, 2018 Three silkscreen prints
134.6 x 81.3 cm each
53 x 32 in
Ed. of 100
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Derek Boshier
News of the World, 2011 Prints of maquettes for sculptures
56 x 43 cm
22 1/8 x 16 7/8 in
Ed. of 10 + 1 AP -
Andy Warhol
Jean Paul Barbier Mueller, 1980 Synthetic polymer paint, diamond dust and silkscreen ink on canvas
101.6 x 101.6 cm
40 x 40 in
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Evolutionary psychologists suggest that ancient ancestors who experienced pareidolia were more likely to survive as a result of a higher personal alert for danger- perceiving things that weren’t always there - preparing them for the times when the threat was real. Whilst babies who recognised faces in quotidien objects were more likely to be cared for and survive according to Carl Sagan who theorised that, “Those infants who a million years ago were unable to recognise a face smiled back less, were less likely to win the hearts of their parents, and less likely to prosper”, which allowed pareidolia to be passed on to current generations.
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Andy Warhol
New Coke Drawing , 1985 Graphite on HMP Paper
80.3 x 61 cm
31 5/8 x 24 in -
Shan Hur
Crack on the Wall #03-1 (A Man and two vases), 2015 Bronze
45 x 45 cm
17 5/8 x 17 5/8 ins
1/3 -
Derek Boshier
Untitled (From the 54 drawings series), 1973 Pencil on paper
38.5 x 28 cm
15 1/8 x 11 1/8 in
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Banksy
Grannies, 2006 Screenprint in colours
68 x 49 cm
26 3/4 x 19 1/4 in
Ed. of 150 -
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Giovanni Ozzola
Wall #17, 2018 Detachment of wall paintings, silicone cast, paint, sand, aluminium frame
32 x 43 cm
12 5/8 x 16 7/8 in -
Shan Hur
Crack on the Wall #03-3 (Two Lids), 2015 Bronze
25 x 40 cm
9 6/8 x 15 5/8 ins
1/3 -
Giovanni Ozzola
Wall #23, 2018 Detachment of wall paintings, silicone cast, paint, sand, aluminium frame
43 x 55 cm
16 7/8 x 21 5/8 in
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Jane McAdam Freud
Heavy Load 2, 2016 Metal, perspex
160 x 84 x 60 cm
62 7/8 x 33 1/8 x 23 4/8 ins -
Kalliopi Lemos
Deity No.3, 2018 Wax, jesmonite, glass fibre, steel
166 x 108 x 77 cm
65 2/8 x 42 4/8 x 30 2/8 ins
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KAWS
Tension (Portfolio of Ten Prints), 2019 10 screen prints in colours, on wove paper, plus a cover sheet packaged in a lipped clamshell portfolio box
88.9 × 58.4 cm
35 x 23 in (each)
Ed. of 100 + 20 APs -
KEITH HARING
Growing Series I-V , 1988Portfolio of (5) Screen prints on Lenox Museum Board
76.2 x 101.6 cm
30 x 40 inEd. of 10 -
Today we find ourselves in trying times, in need of both comfort and company. ‘I See Faces’ explores Pareidolia and its endless possibilities. The exhibition is a tonic for our brains presenting works that prompt us to solve problems and interpret patterns which have been proven to reduce uncertainty, anxiety and to help us make sense of our surrounding environments and situations. Embrace the faces, it’s your survival instincts at work.
I See Faces: Andy Warhol, Banksy, Derek Boshier, Jane McAdam Freud, Keith Haring, Shan Hur, KAWS, Kalliopi Lemos and Giovanni Ozzola
Current viewing_room